This prestigious ballet company traditionally made available headphones with descriptive narration so that visually impaired patrons could track the action on stage. Now, through a groundbreaking performance, the whole gathering will experience such descriptions within a piece that explores how blindness can redefine our perceptions to feeling, audio and dramatic expression.
The blind artist, a visually impaired creator, is collaborating with renowned choreographer Wayne McGregor, alongside other choreographers, and musician Max Richter in producing a new Royal Ballet work that will premiere on 12 November, World Ballet Day, as revealed this week.
Through her work, Healey is motivated by a desire to show how blindness and physical challenge can present an alternative form of understanding for all people. Her rich spoken descriptions, woven with the composition, establishes the heart of the production on stage.
"Making exceptional ballet and musical theater for all" is a guiding principle of the Royal Opera House. Under Kevin O’Hare, the Royal Ballet's director, the troupe is concentrating on "total access – encouraging creators and audiences to discover dance in revolutionary innovative methods," he explained.
The recent commission is being choreographed by choreographer Tiler Peck, Bim Malcomson, and Rebecca Myles Stewart, in addition to McGregor, all collaborating with Healey.
The curator, the curator of this production, commented: "International Ballet Day was created on the concept of access. Following a ten years, we're expanding that idea more to consider how challenged outlooks can shape our art form, and welcome patrons of every capability and experiences to encounter ballet in innovative methods."
Following partnerships with the artist in Canada and Australia, the curator understood that sighted people who had experienced the artist's spoken descriptions believed it assisted them comprehend ballet, which can appear so abstract.
In one dance piece, the company's performer Leo Dixon will perform alongside Takashi Kikuchi, an amateur dancer who has been sightless from birth and who had always thought that ballet was "primarily for individuals with vision". But the dancer has understood that it actually "includes a lot of feeling and emotions" and engages perceptions, "visual and non-sight".
Kikuchi’s individual experience of earlier becoming disoriented on his way home and depending on the sunlight to guide his way back had influenced a performance in which the professional dancer embodies the "warm breath of the sunlight around his partner as they perform as one," Malcomson said.
"This occurred during the day and I had a feeling that the sunlight should be shining from the west. So, if I turned toward the sunshine, even though I didn't perceive the sunlight itself, I could perceive the warmth … So I kept walking to the west …. It directed me home. The sun was a good assistant to me. The sunlight could be a good metaphor. So the story developed from there."
The blind artist, an academic of disability studies at the Toronto university, stated: "Blindness and being blind invites a dynamic bond with movement in a way that is similar to a expert performer's bond with their body and dance."
In working with the dancers, she was attempting to express what "they perceive in their physical being, something that’s just not accessible through sight," she explained. "I talk with the dancers to get a feeling of how they are in their body, where their breath is, what they think, how their physical form are feeling.
"Partnering with the choreographers [and] costume, stage lights, set and sound artists, the understandings and creativity of blindness are always there as we, blind and sighted people, develop a relationship through our affection of dance and performance. It is this creativity and affection that I strive to integrate into the detailed narration. It is a partnership of the senses guided by blindness."
The artist added: "While the view of the dance, the gorgeous visual feast, is present facing the patrons, there is so much that they overlook or valuing, and it is visual impairment that is inviting sighted and visually impaired viewers alike into the invisible. What I hope is that, when patrons leave, they feel dance in a different way, and they’re also experiencing the presence, and hearing the understandings of, visual impairment in innovative and active ways."
Richter, whose works have gathered more than 3.5bn digital listens, commented the spoken narration formed a relationship between visual impairment and vision "by means of a musical landscape, offering narration to that which remains unseen". He added: "This isn't just a description of a performance. It is the art."
The Royal Ballet’s international collaborators for World Ballet Day feature the Canadian ballet company and the Australian Ballet. The troupes will furthermore provide availability to backstage footage, rehearsals and recently created works – broadcast live via their official platform.
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